10 Guitarists Who Leave Me Awestruck

Following on from my last post about the ten guitar players who I just don’t get, I thought I’d make this post kind of the opposite. This is my own personal list of the ten guitarists who, for one reason or another, send a shiver down my spine. It may only be one track, or even a single solo, which warrants inclusion on this list. Or it may be an entire body of work… let’s find out:

  1. Gary Moore. There are so many tracks that I could name… The Loner; Black Rose; King Of The Blues… the list is potentially endless. But for sheer musicality, feeling, jaw-dropping technique, and melodic fiery playing it has to be Blues For Narada. Gary seemed, to me, to be the perfect rock guitarist. He had the flashy turn of speed, that was so much en vogue in the 80s when I first heard him. But unlike all the “shred” guys who regularly graced the cover of Guitar Player magazine back then, he always stood out as being less “schooled” and more natural in his approach. Couple his fearsome speed with a gift for melody and an uncanny ability to find any emotion in those couple of millimetres between strings and frets, and you have the ultimate player.

  2. Jeff Beck. Perhaps the most unique of all guitarists… he has a touch that is unmistakeable. His use of the tremolo arm (something I’ve always shied away from) to create slide-like glissando sounds is masterful. He has always strived to evolve as a player, too… that trem arm technique isn’t evident in his earlier work, but it shows that, unlike many “rock gods” of the 60s & 70s he wasn’t one to rest on his laurels. If all you have ever heard of Jeff Beck is Hi Ho Silver Lining, then you owe it to yourself to check out his funk/blues/jazz/rock masterpiece album Blow By Blow. Genius.

  3. Hank Marvin. Quite simply, the man who made me want to play the guitar in the first place. Again, so many tracks to choose from… Apache; Atlantis; FBI; Wonderful Land… but if I had to choose my favourite Shadows tune it would be Theme For Young Lovers. I’d put the melody from this tune up alongside anything by Mozart or Beethoven. It’s THAT good.

  4. Eric Johnson. His second album Ah Via Musicom is a veritable encyclopaedia of stunning guitar technique, feel and variety. You go from the shred-tatstic, but hummable melodic Cliffs of Dover to the Hendrixian High Landrons via the jaw-dropping country of Steve’s Boogie through to the plaintive ballad 40 Mile Town to end with the smoky jazz of East Wes. One of those rare albums where you never have to skip a track… it just gets better from start to finish. Personally I cannot listen to any single track from this album. Like a good novel, I have to enjoy it from beginning to end in a single sitting.

  5. David Gilmour. Is there a better album than Dark Side Of The Moon? I think not. Every note he plays on this prog masterpiece is the exact perfect note for the space it fills. Much like Gary Moore, Gilmour seems to make the guitar “wail” in a way that beautifully invokes the emotional content of the music. I could have named any Pink Floyd album & almost went with The Wall, but Dark Side, for me, is the essential David Gilmour calling card.

  6. Mark Knopfler. The first five Dire Straits albums (Dire Straits; Communiqué; Making Movies; Love Over Gold, and the brilliant live album, Alchemy) remain among my favourite albums decades after I first heard them. Like many people in the late 70s, I first heard Knopfler’s playing on the hit single Sultans of Swing. It was unlike anything else that was around back then. All the other “guitar bands” at the time were either the loud, long haired “New Wave Of British Heavy Metal” lads or the smouldering remains of burnt out punk enjoying it’s final death throes. Then along comes this gritty little laid back blues rock band telling tales about “Guitar George – he knows all the chords…” Couple this seemingly effortless story telling with deceptively tricky country-tinged illustrative strat licks and my 11-year-old jaw hit the floor. It still does nearly 40 years later.

  7. Andy Latimer. Not exactly a household name, I grant you, and many people haven’t even heard of his band, Camel. They are a prog rock band from Cambridge who still release albums & go out on tour to this day. They have a loyal fanbase who, like the fans of many cult bands, are ardent in their support of their idols. I’m not a HUGE fan of Camel, but they are responsible for one of the few albums that may just challenge Dark Side Of The Moon for the title of “Johnny Robbo’s Favourite Album”. The album in question is The Snow Goose – an instrumental suite of tunes inspired by the Paul Gallico novella of the same name. It takes roughly the same amount of time to read the book as it does to listen to the album. My old English teacher at school introduced the whole class to this album when he played it as a kind of “soundtrack” to the book when we read through it one lesson in 1978. The title track showcases Latimer’s gift for expression, feeling & melody and, even now, still excites me the same way it did when I first heard it.

  8. Joe Satriani. I never really got into the whole ‘80s phenomenon of shred guitar playing. All those widdly neo-classical, poodle-permed posers who took themselves much too seriously. They all sounded basically the same… Tony MaCalpine; Yngwie; Vinnie Moore et al. It seemed like they’d all been sent from central casting somewhere in one of those LA guitar schools. Then along came Satch… he was/is a melodic blues player with all the technique of a shredder & the theory knowledge of a music professor. But above all, his music made me smile. There was humour & warmth in his playing in a way that I just didn’t hear in the work of many of his contemporaries. If you haven’t listened to it lately, dig out your copy of his Surfing With The Alien album and be amazed all over again.

  9. Stevie Ray Vaughan. My favourite blues guitarist by a country mile. The music just seemed to flow out of him like he could turn on a tap. Lyrical, fluent, blistering solos that seemed to beam in from the stratosphere, alongside what has to be one of the best sounds ever coaxed out of a Fender Stratocaster. His tone was ballsy, sustaining and full without ever being overdriven to the point of fizziness. His style was equal parts Albert King, Jimi Hendrix, and Buddy Guy, all mixed into his own unique blend that has been much imitated, but never, ever equalled. If I had to pick a single track which sums up what I love about his playing, it would be his version on Jimi Hendrix’s Little Wing from his posthumous album The Sky Is Crying.

  10. Tony Iommi. I wouldn’t say that metal is really my everyday cup of tea, but I do like to get a bit heavy from time to time… as & when the mood takes me. Black Sabbath, to me, are the originators of the genre. I think you can divide the history of heavy metal into two distinct eras: BBS (Before Black Sabbath) and ABS (After Black Sabbath). When I want to assault my eardrums with some gloriously heavy riffs, it’s just obvious to me that it has to be Black Sabbath – why bother with anything but the originators of the style? The other thing that truly inspires me, as a guitarist, about Iommi is the fact that he overcame a potentially career-wrecking injury to become one of the most influential electric guitarists of the modern era. As a young man, he was working in a metal pressing workshop and lost the ends of his fingers on his fretting hand in an accident. Spurred on by finding out about the famous jazz guitarist, Django Reinhardt overcoming a horrific injury to his fretting hand, he doggedly persevered and regained his ability to play the guitar. Whenever I talk myself into believing that I’ll never master some tricky technique or lick, I take a moment to remember what Tony Iommi overcame & keep on practicing.

So there you are… the ten guitarists who, for various reasons, leave me awestruck.

Until next time… Have fun!

John Robson Guitar Tuition

John Robson… Guitarist


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