One of my students is about to make the leap from “bedroom” guitarist to gigging musician. The only problem is that his gear isn’t really up to the task. He’s playing a Squier Bullet Strat, plugged into a 15W Line 6 Spider amp. In this week’s lesson he asked me what equipment I would recommend he invest in. His budget is £500 for a guitar, amp and all the necessary pedals. He’s playing in a pop/rock covers band doing material by the likes of Oasis, The 1975, Kings Of Leon, The Kinks and Green Day, so he needs a good range of clean & moderately overdriven sounds with all the usual chorus, delay & reverb effects at his disposal.
Can you actually buy an entire rig, including all the necessary pedals, capable of handling semi-pro gigs, for this kind of money? Well, let’s find out…
Firstly we’ll look at the guitar. Having cut his teeth on an S-type instrument, it would seem natural to go with something that feels familiar. Obviously, with a total budget of only £500, for the whole set up, getting something with the word “Fender” written on the headstock just isn’t an option. How about a step up the Squier ladder then?
Well, the next logical step from the Bullet Strat would be the Affinity Strat. Trouble is, these aren’t really that much better than what he already has. A good guitar in the Squier range would be the Squier Standard Stratocaster… it sports decent hardware, including a set of three alnico magnet single coil pickups. This is something to watch out for, by the way: Alnico magnets are generally more desirable than their cheaper ceramic equivalents due to their warmer, sweeter sound. Ceramic magnet pickups tend to sound harsh & brittle by comparison. One of the conundrums of Fender’s pricing structure is the fact that £240 will buy you a Squier Standard Strat with alnico units, but pay £507 for a “genuine” Fender Standard Stratocaster (what used to be called the “Made In Mexico” model), and you get the inferior ceramic pickups… just goes to show that you DON’T always get what you pay for.
Anyway… £240 will buy you a great little S-type guitar with decent pickups and a pretty good fit & finish. Let’s have a look at the amp side of the equation…
If you’re going to be playing pub gigs where nothing is mic’d up, you’re going to be relying on your amp’s output to do all the heavy lifting in terms of volume. A high end valve amp of 30W or so would fit the bill (the venerable Vox AC30 springs to mind). But the thing is whilst a valve amp of this output would do the job, the cost would be prohibitive and as the old saying goes “valve watts ARE louder”. Or put another way, for whatever reason, a solid state amp never seems to be as loud as it’s valve counterpart for the same stated output. As many a gigging guitarist will attest, a 30W solid state (transistor) combo is unlikely to be heard over the top of an enthusiastic rock drummer at gig volumes. I’d say you’d need 50W at the very least if you’re looking at gigging a solid state amp.
Given that the guy in question already uses a Line 6 amp, and is happy with the sounds he gets, it would make sense to look at something a little more powerful from the Spider range. As luck would have it, there is a 60W version of the amp he already uses. It also has all of the effects he’d need already built in, so no need for pedals, patch leads & a power supply to drive them all. There is a catch though… the price.
A 60W Line 6 Spider amp costs £280. And that’s WITHOUT the floor controller needed to switch sounds (essential for live work). The cheapest such unit would be the FVB2 which costs about another £30. This unit will only allow you to switch between four different sounds on the amp, but still, that should be enough:
- A clean sound with a bit of chorus, reverb & delay for general accompaniment.
- A crunchy mild overdrive sound with a bit of delay for power chords & bluesy lead work.
- A big fat lead sound for those “rock god” moments.
- That “special” sound with unusual effects like octave shift, trippy delays or auto-wah that you only need for one song. Every band has one of these songs in their set… unless you’re U2 where EVERY song fits this description.
Still, we’re over budget, though, so we’re going to need to re-visit the guitar side of the rig to see if there’s any money to be saved.
I have recently become a convert to Harley Benton guitars, owning an excellent LP-style instrument by them, and a dreadnought style acoustic. Both of these guitars were ridiculously low in price & are proper, full-on, excellent, pro-standard instruments. Let’s have a look at their S-type guitars then…
We’re in luck: according to Thomann’s website, you can buy a Harley Benton ST-62 MN SB Vintage Series S-type guitar for £100 (I told you they were great value, didn’t I?) It has a basswood body (perfectly fine – many boutique guitar builders favour this timber for it’s balanced tonal characteristics); a Canadian maple neck & (drum roll, please…) Wilkinson ALNICO MAGNET pickups! Even if you have to factor in the price of a set-up, that still gives you a stonking good guitar for around £150-£160. If my experience with Harley Benton guitars is anything to go by though, it’ll be pretty much perfectly set-up out of the box, anyway.
I think we’re about there… we have the guitar; we have the amp; we have the effects (built into the amp) and we have the foot controller. Let’s have a look at what we’ve spent:
Harley Benton ST-62 MN SB Vintage Series:
Line 6 Spider V60:
Line 6 FBV2 Foot Controller:
5.6m Whirlwind Guitar Cable:
There’s even enough in the budget for a gig bag (if he didn’t already have one) or a bit of a set-up for the guitar (if it needs one). And there you have it… a giggable rig for less than £500.
Until next time…